LinArts

< Reels >

<Cera Slotasaurus>

< Dragons Reborn >

  :Promo Video

< Lantern Stacks >
  : 3D Blender Modeling & Animation

  : 2D Spine Animation

< Triple Meteo Strike >

< Tantacles 0f Fortune >
  :  Free Spin Pop-up Animations (Spine 2D)

<Lock It Link Riches> Eureka Treasure Train

<Lock It Lin k Riches> Cash Crop

Top Screen : Idle Animation

Treasure and Castle version.
I worked mainly on symbol and marquee animations using Adobe After Effect.

4 High Fish symbol animations

Gold Fish Feeding Time : Marquee Idle Animation

Gold Fish Treasure : Mid Symbol Animations

Gold Fish Castle : Mid Symbol Animations

Coin Sparkle Effect Animation

<Mermay Challenge>

<Inktober>

<Other Illustrations>

Late 2021 - 2022

.

Wizard of Oz_ Wicked Witch of the West Slots.

Worked on 2D Art resources as a core artist.

Reference YouTube Video Links
https://youtu.be/6RfjG4P4BzQ?si=BxAEKL3t9qcP6wEu

PLAY >> ( 0:12 - 3:20 )

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Bonus Game video from Lina on Vimeo.

Created 2D art assets for "Wizard of Oz _ Wicked Witch of the West" slot machine.

Reference link
https://youtu.be/AkjPMa94JY4

Top screen scene. (wozcb_top_vid1 from Lina on Vimeo.)

Bottom screen scene. (wozcb_bot_vid1 from Lina on Vimeo.)

reel_spins_b from Lina on Vimeo.

<James Bond - Die Another Day>

<Austin Powers>

Normal Spin

Background -Normal Spin

Background -Free Spin

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Popup Window UI Art _ Casino Bay ver. / Olivia Loves Slots ver.

Popup Window UI _ in Casino Bay.

Symbol Animations.

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Chinese theme from Lina on Vimeo.

Free Spin Transition _ Dragon animation (Spine2D) & Particle Effects (In-house Effect Tool)

Some of the scenes I participated as a junior 3D animator. 

From the TV animation series, 'Sofia, the first'.

I worked on the animation of the Disney show “Sofia The First,” which was TOIION’s largest project. I was responsible for the animation of characters and animals, such as rabbits and birds, in select scenes. I used materials sent by the client, Disney, including storyboards, video boards, and sound recordings, to create layout screens with the 3D characters, which we then sent to Disney’s pre-production team for approval, before beginning the final animation sequences.